Below are current event articles that relate to events, topics, and people found in The Scandal of 1920.
In Mel Brooks’ The Producers, washed-up theater producer Max Bialystock and wishy-washy accountant Leo Bloom figure they can get rich quick with a Broadway flop if they raise more money than they need to stage the show. (Their plan ultimately backfires and the pair end up in prison for fraud.) In real life, the creative minds that conspire to put on a show aim for greatness, but in the highly competitive New York theater scene, more shows bomb than succeed.
On June 16, 1934, George Gershwin boarded a train in Manhattan bound for Charleston, South Carolina. From there he traveled by car and ferry to Folly Island, where he would spend most of his summer in a small frame cottage. The sparsely developed barrier island ten miles from Charleston was an unlikely choice for Gershwin—a New York city-slicker accustomed to rollicking night life, luxurious accommodations and adoring coteries of fans. As he wrote his mother (with a bit of creative spelling), the heat “brought out the flys, and knats, and mosquitos,” leaving there “nothing to do but scratch.”
On that fourth of July afternoon 100 years ago, the eyes of the world turned to a makeshift wooden arena that had been hastily assembled in Reno, Nevada. Special deputies confiscated firearms, and movie cameras rolled as a crowd estimated at 20,000 filled the stands surrounding a boxing ring. The celebrities at ringside included fight royalty—John L. Sullivan and James “Gentleman Jim” Corbett—and the novelist Jack London. For the first time in U.S. history, two champions—one reigning, the other retired but undefeated—were about to square off to determine the rightful heavyweight king of the world. But more than a title was at stake.